Stonework is published by Houghton College, a Christian liberal arts college located in New York’s rural Genesee Valley. Stonework seeks a diverse mix of mature and emerging voices in fellowship with the evangelical tradition. Published twice a year, the journal reflects the arts community at Houghton College where excellence in music, writing, and the visual arts has long been a distinctive.

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  • Issue 6
    Poetry by Paul Willis and Thom Satterlee. Fiction and interview with Lori Huth. Essay by James Wardwell, and student poets from Christian campuses.
  • Issue 5
    Poetry by Susanna Childress and Debra Rienstra. Fiction excerpt by Emilie Griffin. Art from Houghton's 2007 presidential inauguration and a forum on women writing.
  • Issue 4
    Matthew Roth--new poems. Diane Glancy--from One of Us and an interview. John Tatter-on gardens and poetry. The Landscapes of John Rhett. Stephen Woolsey--on the poetry of Jack Clemo. James Wardwell--on Herrick.
  • Issue 3
    Poetry by Julia Kasdorf, Robert Siegel and Sandra Duguid. Fiction by Tom Noyes. The portraits of Alieen Ortlip Shea. An anthology of Australian Poets
  • Issue 2
    Thom Satterlee - Poems from Burning Wycliff with an appreciation by David Perkins. Alison Gresik - new fiction and an interview. James Zoller - Poems from Living on the Floodplain.
  • Issue 1
    Luci Shaw — new poems with an appreciation by Eugene H. Peterson & Hugh Cook — new fiction and an interview

Friday, May 05, 2006

Habitus

Thom Satterlee

Language, he asserted, was a habitus…What precisely he meant by habitus is not explained but the context in which the word is applied to language would suggest sense of “clothing.”
Anne Hudson, “Wyclif and the English Language”

All morning he read from a thick volume
propped on a stand. He read and he read,
and when he closed his eyes
he continued to read
until the words took off their clothes
and laid them down on a hillside
that vanished whenever a cloud
passed between it and the sun.

All his life Wyclif had wanted this:
the words undressed and he going to them,
a child to a fair, burning to see
if Faith wore her hair in a braid,
whether Why held out its hands, palms up,
and where Simony put his coins
when he stood naked in the light.

But no: Wyclif had got it all wrong.
He was not going to see the words.
They were coming to him
With their arms loaded with robes
stacked so high he couldn’t see their faces,
and before he knew it, invisible hands
began measuring him with ropes
stretched between his wrist and his chest,
from his hip down to the ground,
around his waist and around his neck.

The fitting took all day. He tried on
Son and Friend, Scholar, Reformer,
Heretic, he slipped into Priest,
wore also Doctor Evangelicus
and Morning Star. Some robes
hung too loosely; others pinched his neck.

In the end, he had to wear them all
and learn the sadness of being a word—
only one surface to show the world
while he lived underneath the layers
and listened for the barely audible
sound of his own heart beating.

~~~~~

From Burning Wycliff, copyright 2006 Thom Satterlee: reprinted with permission from Texas Tech University Press.